Known best for his role in creating and popularizing the southern movement and lifestyle known as Crunk, Lil Jon delivered a string of regional hits (in the 90’s) with the East Side Boyz eventually becoming a national force in 2001 thanks to the tracks “Bia Bia” and “Put Yo Hood Up.” Crunk became so popular that Jon became a fixture on Chappelle’s Show and artists not directly connected to him (such as Mary J. Blige) began using the word Crunk, in their own music. Jon helped usher the word ‘Crunk’ not only a national scale, but worldwide. The Merriam-Webster Dictionary added the word into their book in 2007.

Widely known for his platinum-selling productions, Lil Jon has crafted groundbreaking hits for a diverse array of artists such as Usher, Ciara, The Ying Yang Twins, E-40, Ice Cube and more. He’s also worked with will.i.am, Miley Cyrus, Britney Spears, Bret Michaels, Travis Barker, Jennifer Lopez, Machine Gun Kelly and many more. As an artist, he has sold millions of records as the frontman of Lil Jon & The East Side Boyz, whose smash hits “Get Low” and “What U Goin’ Do” have been among some of the biggest crossover hip-hop records. His songs have been featured in huge blockbuster movies including The Hangover, The Proposal and the Step Up franchise.

His consistent hit making has earned him legions of fans from Los Angeles to New York to the Midwest and of course his native region, the South. This is no more evident as Lil Jon won BMI’s Songwriter of the Year award as well as scored eight Billboard Awards (for the two hit Usher tracks “Yeah!” and “Lovers and Friends”), a Grammy, a Radio Music Award, a BET award, two MTV Video Music Awards, and an American Music Award.

And then some; Dillon’s humorous, adventurous approach in a multitude of social media and short film undertakings have also earned him the reputation as inventive visual artist and playful observer of pop culture. His participation in the upcoming movie, ‘Scouts Guide To The Zombie Apocalypse,’ which hit theaters at the end of October, seemed to dovetail nicely with his own off-the-wall aesthetic. “That was a blast to do,” he says. “They had used some of my music for the film, and the next thing I know they’re saying ‘we want you to be in it.’ Anytime someone gives you a chance to be a zombie and die too, who could say no to that.”

Directed by Christopher Landon, the film follows three scouts and lifelong friends that join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes, fending off a zombie invasion and saving mankind to boot. The movie may also be a harbinger of bigger and more imaginative film and video ‘badges’ in the works for Dillon in 2016. “I do enjoy the process of being on-set in the short films I’ve done, and in this movie,” he says. “It’s gratifying to put in the hours and then see what becomes of it all in the editing process. And I like the freedom of doing my own film projects. It’s kind of the same feeling as finishing a song. You feel this surge of euphoria when you get to the final process of something that took so many steps to get you to that finished product.”

More collaborations with director Brandon Dermer are also on the horizon. Dermer helmed Dillon’s acclaimed, hilarious “Not Butter” video (and other Dillon projects), which drew a huge social media response this summer, snagging nearly 750,000 views in its first week, alone. “We’re working on more stuff as we speak, and I also have a TV project I’m trying to get going for 2016.”

Always up for defying expectations at every turn, Dillon has even engaged social media as a self-professed ‘donut activist’ (temporarily changing his twitter name to Donut Francis) debuting a 14 minute film on his love for the snack - Exit Through The Donut Hole, and as a mustachioed beer-demanding redneck.

“The great thing about all these projects is they intrinsically align with the attitude of my music,” he says. “I think my fans appreciate that I’m using social media and video as a fun way to communicate crazy new ideas rather than just trying to stay trendy or to hype things.” His Columbia Records/Mad Decent debut, Money Sucks, Friends Rule arrived nearly a year ago as the capstone to an innovative career that has never been content to straddle the status quo. Hailed as one of Rolling Stone’s Top Electronic albums of 2014, tracks included the smash hit “Get Low” with DJ Snake, the anthemic “Love in the Middle of a Firefight” featuring Brendon Urie (from Panic! At The Disco), “When We Were Young” featuring Sultan + Ned Shepard VS Chain Gang of 1974, and “Set Me Free” featuring producer/DJ Martin Garrix, among other tracks.

In 2014/2015 Dillon headlined a sold-out North American tour to kick off the album, and he hasn’t stopped performing since. Known as one of the most engaging festival acts, he’s performed to record crowds in the UK, Brazil, Argentina, Chile, France, Australia, as well as drawing acclaim for his appearance this summer at Lollapalooza in Chicago and the Reading & Leeds Festivals in the UK.

Initially recognized for helping to bring the tribal dance movement Moombahton to the forefront, he’s scattered the dance music landscape with numerous influential EPs throughout his career. Recognized as one of Mad Decent’s most prolific artists, he set out on Zedd’s True Colors Tour this fall, which he says has been one of his most satisfying live treks. “Zedd and I have always hit it off. I consider him one of my best friends in music and touring with him is never a grind. We have the kind of relationship where we might not see each other for six months, and yet we’re able to pick up right where we left off.” Known for assembling phenomenal collaborations and partnerships throughout his career, Dillon has always been about charting the unconventional course to success.

Even from his earliest beginnings when he first attended art school, and then became a ‘trainee’ in a photography studio – the L.A. native had a sense music would be the true spark to all creative destinations. “I always knew I wanted to play and make music, kind of knowing I was going to have to ‘make’ the music I wanted to hear.”

After spending some time in Atlanta interning for Cory Enemy to get to know the dance music scene, he would move back to L.A., and from there it was his discovery of Moombahton that initially inspired him: “I was introduced to the artist Munchi because he had done a remix for Steve Starks on the same song (“Git ‘Em”) I did, except his was ten times better. I started scouring his SoundCloud, listening to everything. The tracks that were genre labeled “Moombahton” were the only tracks I couldn’t figure out the tempo of by just listening to them,” says Dillon. “So I started experimenting with my own productions.”

Later, Dillon would play a cut of his own for DJ Ruckus, who he was working for at the time, slowed down to 110 bpms. Ruckus loved the track (‘Masta Blasta’) so much, Dillon convinced his manager to send the track to Diplo. “And that was my break,” he says. “I’m so fortunate to be branching out into all this other stuff. I just try to stay genuine in everything I do.”

In 2015 she collaborated with Tiësto and KSHMR on their track, “Secrets,” hitting over 80 million Spotify plays and 130 million Youtube views. “Secrets” went straight to number 1 in 20 countries, reigned atop the Billboard Club Charts and Beatport charts, and earned an IDMA Award for Best Electro Progressive/House track. VASSY joined forces once again in 2016 with Tiësto on her standalone single, “Nothing To Lose,” a high-energy dance-floor friendly masterpiece currently #12 on the Billboard Dance Charts and quickly climbing. Co-produced by the legendary Tiësto, this progressive house-gem is fuel the urge to get up and dance. Filled with uplifting original lyrics and momentous energy, the record solidifies the versatility of VASSY as a quadruple threat: singer, songwriter, artist and music producer.

In addition to her success in dance music, VASSY’s songs have been featured everywhere including, Target, Nickelodeon, Sketchers, Victoria’s Secret, Pepsi commercials, Grey’s Anatomy, and even Disney’s “Frozen,”. VASSY’s captivating voice is soulful and enchanting, and will lure you into any track she sings. The versatile artist has also ventured into indie-pop on her No. 1 Billboard Club song “We Are Young,” channeling a vivacious tone that will put you in high spirits. VASSY’s effortless dexterity as both versatile singer and songwriter is undeniable.

Even with her music career taking flight, VASSY has always prioritized her philanthropic work with charity groups and civil rights organizations. She is an active equal-rights ambassador for the NOH8 campaign, a spokesperson for environmental organization Green IT, works with Studio Samuel Foundation helping girls in Ethiopia, and supports youth through Playground of Dreams. Be it through her music, volunteerism giving back to the communities, VASSY’s goal is to inspire people to fight for their dreams. Whether she’s singing, writing, or producing music, VASSY has an immensely credible portfolio to admire.

Despite only announcing themselves onto the clubbing circuit a very short time ago, Philadelphia based DJ and production duo Clef & Canberra have been on a rapid journey to the top of the North American Dance music scene - and it's no surprise why. With their studio productions gaining recognition from tastemakers like Blasterjaxx, as well as supporting A-List stars including Marshmallow in the clubs, Clef & Canberra are certainly a name to watch out for.

Lastest addition to their ever-growing release catalogue is 'Mad City', an uplifting high-energy Progressive Big Room smasher that features the stunning vocals of versatile singer/songwriter Jonny Rose. Crisp catchy vocals and infectious melodies grab a hold on you and pull you in to this huge tune - it won't be long before you are singing along with your hands in the air.

The release of 'Mad City' sees Clef & Canberra make their debut on one of the highest selling Dance labels in the game, Peak Hour Music. Based in New York, Peak Hour Music has been the home to legendary names including Deadmau5, Porter Robinson, Wolfgang Gartner and Deorro - it's safe to say that Clef & Canberra are in safe hands. 'Mad City' is out now so make sure you grab your copy now.

Eventually He Began Playing Instruments And Performing In Shows To Occupy His Time And Fulfill His Need To Be In Front Of His Peers. Throughout College Hollywood Used His Weekends To Fuel His Passion For Music And Entertaining. He Began DJ’ing His Friends Parties On And Off Campus And At Local Bars. Still A Busy Body As An Adult, Hollywood Ventured Into The World Of TV, And Worked On Air With Networks Such As On Networks Such As MTV, BET, ESPN, And FOX.

Presently Still Working As An On Air Personality For CBS And CW He Continues To Perfect His Craft On Making The Parties That He Performs At A Unique Experience Every Time. When You Listen To Hollywood And Close Your Eyes, You Hear His Influences, Such As DJ Jazzy Jeff For His Precision And Technique, Quest Love For His Extensive Music Knowledge, And Fatman Scoop For His Ability To Hype A Crowd… Hollywood Has Played and Performed For People Such As, Diddy, Wiz Khalifa, DMX, Tyga, Philadelphia 76’ers And Many More… With His Extensive Knowledge Of Music From Hip Hop, Pop, House, Funk, Oldies And Everything Else In Between, Combined With An Ability To Read And Manipulate A Crowd, Hollywood Puts On A Performance Every Time… These Days You Can Catch Mr Hollywood DJ Rocking Parties All Across The Country With His Signature Electric Energy Style And Finesse… No Matter If It Is A Night Club, Private Party, Corporate Event, Celebration Or Cruise Ship, You Can Expect The Crowd To Be On Their Feet Having The Time Of Their Lives..!

In 2015 Freezie released her own track, Lock and Load, which peaked at #14 on the Musicweek Magazine Club charts in the UK. During her European release, she had the opportunity to work alongside of esteemed producers SoulShaker, who along with DASCO, Mod Culture, and So Cool Network, have produced remixes for the track, LOCK AND LOAD. A major career highlight thus far is opening for Hardwell and Dannic, whom she admires.

Freezie continues to captivate her fans through her intriguing performances. Adding her own music to her resume will only cultivate her admirers, while she continues to move audiences with her seductive style and sensational sounds.

Following the success of “Everything,” ROZES released two more powerful singles: “In and Out” and "R U Mine," which Idolator called a “soaring synth pop anthem," and “a great track made even better by the sheer quality of her voice."

After ROZES accepted an invitation to play at Neon Gold’s legendary Pop Shop at Baby’s All Right, the record label heralded ROZES as “falling to earth somewhere amidst the holy trinity of Banks, Lana and Halsey.” Perhaps that’s because ROZES, as she would affirm, writes what’s real, what’s true what’s almost killed her and what’s keeping her alive.

It’s clear that others have begun to stop and take notice of ROZES. The hugely successful duo The Chainsmokers handpicked her to co-write and sing on Top 40 track “Roses.” The decision resulted in a truly infectious sound highlighted by flawless harmonies. Rozes performed with The Chainsmokers at the Billboard Hot 100 Music festival at Jones Beach last August, The Late Late Show with James Corden and on The Tonight Show Starring Jimmy Fallon. Rozes has been featured on prominent media outlets like Billboard, Hello Giggles, and All Things Go and received critical acclaim for her early 2016 EP release Burn Wild and her debut performances at this year's SXSW and Coachella festivals.

And now, after a huge feature on “All Of Me” with Big Gigantic & Logic, everything is coming up ROZES. Check out her latest single, “Under The Grave” out now.